More pixels, better pixels. There is no slowing the need for higher and higher quality imaging.

From live HDR and 12K capture to realtime LED lighting and 3D gesture-based visualization, here are the production breakthroughs of the year.

To create the world of “Fallout,” executive producers Jonathan Nolan and Lisa Joy turned to Magnopus for in-camera visual effects. 

A number of significant new camera releases at the 2024 NAB Show demonstrate how technology innovation is fast and furious.

Light Iron developed and deployed an all-cloud workflow for dailies, VFX pulls, conform and color on Mel Eslyn’s TV series, “Penelope.”

DP Callan Green on lensing Guy Ritchie’s action-comedy crime series, “The Gentlemen,” including how they captured that big boxing match.

IMAX is in the spotlight at NAB Show 2024 with “SMPTE’s Future of Cinema: The Art and Science of IMAX” panel discussion.

“The Woman in the Wall” centers on a woman grappling with the trauma of time in a Magdalene laundry, complicated by the deaths of two people connected to her incarceration there.

Director Jonathan Glazer pursued an immersive naturalism in “The Zone of Interest” by removing the artifice and conventions of filmmaking.

Gareth Edwards’ film was shot on a relatively small budget of $80 million, yet looks like a blockbuster that cost significantly more.

A very complex color pipeline has evolved in production and post, with many formats and deliverables along the way.

Douglas Spotted Eagle shares best practices for creating effective video for social media marketing campaigns.