Editor Myron Kerstein, ACE helps turn Lin-Manuel Miranda’s exuberant celebration of NYC’s Latino culture into a big-screen block party.

“I think the reason that I love this process so much is that I’m the first person that gets to see a scene as it’s being created.”

“The merging of disciplines had to be constant and never-ending. It was truly next-level, not just because of the bells and whistles we were able to come up with, but in the techniques we used.”

NAB Amplify’s Jennifer Wolfe discusses the MovieLabs 2030 Vision Initiative and what it means for the future of motion picture production.

An AI proponent refutes arguments that generative AI is unfair to creators but also acknowledges there are legitimate IP rights at stake.

While AI won’t likely replace many jobs in the foreseeable future, it’s going to increasingly become a part of the M&E industry’s workflows.

The awards recognize and celebrates the most significant and promising new products and technologies being exhibited at the show.

What are the top concerns, questions and viewpoints surrounding the recent surge of available AI generative technologies?

Synthetic media, sometimes referred to as “deepfake” technology, is already impacting the creative process for artists (and non-artists).

As technology becomes more sophisticated, here’s how companies can educate their staff about identifying deepfake activity.

Writer-director-editor Kyle Edward Ball delivers a lo-fi detuned aesthetic to his micro-budget indie horror feature “Skinamarink.”

Documentary filmmaker Laura Poitras’ “All the Beauty and the Bloodshed” shows how Nan Goldin’s life and work intersect with her activism.