77 Results for Audio Editing
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The Precision Editing Required for David Fincher’s Assassin in “The Killer”
David Fincher’s go-to editor Kirk Baxter helps achieve a new kind of subjective cinema with Michael Fassbender’s character in “The Killer.”
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Crime Scenes: Editing “Only Murders in the Building”
“Once you hear the word spoken, you hear the rhythms, you start to get an idea in your head, and you can begin visualizing an episode.”
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Big Screen Block Party: Editing “In the Heights”
Editor Myron Kerstein, ACE helps turn Lin-Manuel Miranda’s exuberant celebration of NYC’s Latino culture into a big-screen block party.
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Speak, Memory: Editing “Minari”
“I think the reason that I love this process so much is that I’m the first person that gets to see a scene as it’s being created.”
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How “Sound of Metal” Merges Sound Design, Effects and Editing
“The merging of disciplines had to be constant and never-ending. It was truly next-level, not just because of the bells and whistles we were able to come up with, but in the techniques we used.”
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The Everyday Benefits of Automation for Post
Post-production consultant Jeff Greenberg reviews AI-assisted post-production tools to revolutionize your video and music editing process.
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Social Commentary But Make it Cinematic: Production for “In a State of Change”
Filmmakers Donal Boyd and Frank Nieuwenhuis sought to help people understand the impact of climate change on Iceland’s glaciers and on Icelanders.
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How AI Reunited The Beatles for “Now and Then”
The “new” Beatles song “Now and Then” utilized the same AI technology that director Peter Jackson employed for documentary “Get Back.”
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Show Us What You Got: Our 2024 Call for NAB Show Speakers Is Open
Proposals for conference sessions, panels, exhibition floor theaters, speakers and more are now being accepted for the 2024 NAB Show!
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“My Ken’s Job Is Camera:” Adrian Per’s Perspectives on Storytelling
Even in short-form video, explains filmmaker and content creator Adrian Per, “You still want to keep the basic principles of storytelling.”
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Taylor Lorenz: How the Creator Economy Became… an Economy
“Extremely Online” is WaPo columnist Taylor Lorenz’s creator-centric chronicle of social media and the birth of the creator economy.
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Taylor’s Version: How the “Eras Tour” Concert Film Could Change Cinema
Through “The Eras Tour,” Taylor Swift is “passing a $100M screen test,” according to Variety, and other critics agree the concert film is worth a watch.