Keeping the audience guessing without tilting bias was key for “Anatomy of a Fall” director Justine Triet and editor Laurent Sénéchal.

Filmmakers Andrew Haigh and Jonathan Alberts discuss how they blended supernatural elements into the deeply personal “All of Us Strangers.”

David Fincher’s go-to editor Kirk Baxter helps achieve a new kind of subjective cinema with Michael Fassbender’s character in “The Killer.”

“Once you hear the word spoken, you hear the rhythms, you start to get an idea in your head, and you can begin visualizing an episode.”       

Editor Myron Kerstein, ACE helps turn Lin-Manuel Miranda’s exuberant celebration of NYC’s Latino culture into a big-screen block party.

“I think the reason that I love this process so much is that I’m the first person that gets to see a scene as it’s being created.”

“The merging of disciplines had to be constant and never-ending. It was truly next-level, not just because of the bells and whistles we were able to come up with, but in the techniques we used.”

Post-production consultant Jeff Greenberg reviews AI-assisted post-production tools to revolutionize your video and music editing process.

The 2024 NAB Show New York will feature more than 275 exhibitors, and notably, three dozen of those companies were recipients of Product of the Year awards at this year’s spring NAB Show. 

Virtual production, AI and digital outreach are some of the new and expanded innovations delivering coverage of the Paris Olympic Games.

Post tool vendors believe AI will be most effective at speeding up some of the more tedious and time-consuming aspects of content creation.

From previs through post-production, NAB Amplify rounds up some of the most popular AI tools for professional content creators.