While some people want to slow AI development down for risk assessment, this is an unlikely scenario among even the AI coding community.

What are the top concerns, questions and viewpoints surrounding the recent surge of available AI generative technologies?

Digital Domain’s chief technology officer Hanno Basse discusses how the development of digital humans is transforming film & TV production.

Synthetic media, sometimes referred to as “deepfake” technology, is already impacting the creative process for artists (and non-artists).

AI could allow to startups to scale at the same rate as larger organizations while still providing work for humans as “super organizers.”

Deepfake video and other synthesized material is cropping up all over the internet, and fingers are pointing at TikTok as the worst culprit.

The most cost-effective solution for TV stations and network groups is a reliable Automatic Speech Recognition system, one which guarantees FCC compliance, high accuracy, low latency and native input formats that won’t interfere with existing IT infrastructures.

“Refik Anadol: Unsupervised” uses an AI model trained on 180,000 artworks from MoMA’s collection to produce a stream of digital images.

Viral video creator Karen X Cheng discusses generative AI art tools like DALL-E, and the implications they have for the creative community.

Artists are embracing AI as a “co-creator,” developing their own “imagecraft” by refining the “art of prompting.”

Video game “Dark Forest” shows how advanced cryptography can be used in a game, and how blockchains might host decentralized digital worlds.

Like the internet today, the metaverse will be ubiquitous and omnipresent, sitting in the background of most of our day-to-day experiences.