Metaverse start-up social space Stageverse argues that the 3D internet will allow user interactions that mimic meeting “In Real Life” (IRL).

PRG contributed lighting, rigging, LED, video, networking, camera, projection, broadcast equipment, truss and gear rental to Super Bowl LV.

Filmmakers Donal Boyd and Frank Nieuwenhuis sought to help people understand the impact of climate change on Iceland’s glaciers and on Icelanders.

Virtual production experts illuminate how this rapidly-advancing field is reshaping collaboration and creative workflows.

“Extremely Online” is WaPo columnist Taylor Lorenz’s creator-centric chronicle of social media and the birth of the creator economy.

In the future, digital influencers can captivate millions of adoring fans while offering unparalleled customization and 24/7 availability.

New technologies aim to make high-end motion capture more accessible to productions of all sizes.

“It’s really hard to find an actual vertical that doesn’t have creators pretty dominant,” says Jellysmack President Sean Atkins.

“In the end, this is about trying to make a connection with our audience,” says U2’s Bono. “it’s Las Vegas or bust, baby.”

Gareth Edwards’ film was shot on a relatively small budget of $80 million, yet looks like a blockbuster that cost significantly more.

With 75% of the action taking place in midair, production for Apple TV+ limited series “Hijack” made extensive use of virtual production.

The “Empire State of Mind” photo contest is open now, with the winners to be announced at NAB Show New York by Bamboo’s Nick Urbom.